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The difference in timbre was so great I ended up omitting the effect on the cut we were working on.It wasn’t until a few years ago I found out about the difference between the script and block logo MXR products, but more on that in part two.Presently I have three large drawers filled with various effects, seven Wah-Wah pedals, several very interesting articles dealing with the above, and apparently an endless chore!I’ve come to realize I couldn’t possibly review the multitude of effects gizmos gushing forth from the mid 60s to the onslaught of digital signal processing.

I conclude this introduction by saying I have switched back to all analog effects, and I feel I’m getting a much warmer and more musical tone from my guitar and amp by doing so. Rack mounted gear is faster to hook up at the gig, and midi makes programming digital effects easy and versatile; ie.

I go into detail here as this amp was my tone base for all testing.

Another point I want to mention here is many acts I’ve heard and admired over the years were playing in large venues, football stadiums, large auditoriums, etc., allowing the guitar players to overdrive their amps with no worry about blowing the audience through the back wall.

History It is outside the scope of this article to deal too thoroughly with history as the author’s intent is to help fellow players find the most useful instrument (Wah) for their purposes.

The first wah type sounds were obtained by pioneer electric guitarists working the tone knob, a technique still used today, especially by country players playing Teles.

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